Christine Bruce

Menu

Skip to content
  • About
  • Exhibition: Contained/ Uncontained (Digital)
    • Contained
    • Uncontained
    • The Garret
    • Exit
    • Background
  • Exhibition: Material Possession
  • Exhibition: Human Being Human
  • Exhibition: Meesterlijk
  • Series
    • Hypnose
    • Growth
    • Greying
    • ‘Mid Cloisters dim
    • The Rose Garden
    • Bindweed
  • Blog Archive

Blog Archive

  • Tutor report Assignment 1

    November 8, 2015

    Christine Bruce Printmaking 2 Assignment 1 Skype v2

  • Assignment 2 Final : The History of the Inevitable Warfare between Science and Theology

    October 30, 2015

    Non- rational abstraction: trusting to intuition could give rise to several processes and outcomes. You could let the materials work, and be the amanuensis. You could maybe succeed in not having to think in…

  • Assignment 2: Abstraction: towards the final pieces: Moons

    September 28, 2015

    Moon. Topical, symbolic, geometric, poetic, totemic. My plan for my final piece is to create three images relating to the Moon. At the time of posting it is Mid Autumn, or moon festival, and…

  • Assignment 3: Chiaroscuro: hand

    September 25, 2015

    For this next project, I wanted to try to create an image of a hand- also inspired by the 19th century photo. I drew my own one, and planned a series of steps: Stop…

  • Assignment 3: Chiaroscuro: Newton’s apple series 2: copper plate etching

    September 25, 2015

    The monoprints and drypoint were ok, but it was time to use my new materials, and plan an image using multiple techniques of engraving. I sketched my ideas, and wrote a list to follow,…

  • Assignment 3: Chiaroscuro: Newton’s apple series 1

    September 25, 2015

    At one stride comes the dark.  Well, this topic is all about avoiding that happening, about graduating tones to make the dark creep in, allow light to create form by moulding itself to the…

  • Assignment 3: Chiaroscuro: Caravaggio’s David and Goliath

    September 24, 2015

    As I said, I spent a day in the Prado this summer, and felt that I had to use the experience to start thinking about the topic of Chiaroscuro. There is something, to my…

  • Practice: Photopolymer printing

    September 24, 2015

    This is a highly sustainable practice which uses no dangerous chemicals, and leaves the printing plates reusable. In Capileira, we used copper plates, which had to be cleaned- wet/dry sandpapered to remove any scratches-…

  • Assignment 3: Chiaroscuro: Beginning

    September 23, 2015

    I haven’t completed Assignment 2 yet, although my landscape morphed into abstraction.  I will revisit. Why chiaroscuro? Because printing is all about getting blacks black and whites white. And the interesting thing is how…

Previous Page Next Page
  • Tutor report Assignment 1

    November 8, 2015

    Christine Bruce Printmaking 2 Assignment 1 Skype v2

  • Assignment 2 Final : The History of the Inevitable Warfare between Science and Theology

    October 30, 2015

    Non- rational abstraction: trusting to intuition could give rise to several processes and outcomes. You could let the materials work, and be the amanuensis. You could maybe succeed in not having to think in…

  • Assignment 2: Abstraction: towards the final pieces: Moons

    September 28, 2015

    Moon. Topical, symbolic, geometric, poetic, totemic. My plan for my final piece is to create three images relating to the Moon. At the time of posting it is Mid Autumn, or moon festival, and…

  • Assignment 3: Chiaroscuro: hand

    September 25, 2015

    For this next project, I wanted to try to create an image of a hand- also inspired by the 19th century photo. I drew my own one, and planned a series of steps: Stop…

  • Assignment 3: Chiaroscuro: Newton’s apple series 2: copper plate etching

    September 25, 2015

    The monoprints and drypoint were ok, but it was time to use my new materials, and plan an image using multiple techniques of engraving. I sketched my ideas, and wrote a list to follow,…

  • Assignment 3: Chiaroscuro: Newton’s apple series 1

    September 25, 2015

    At one stride comes the dark.  Well, this topic is all about avoiding that happening, about graduating tones to make the dark creep in, allow light to create form by moulding itself to the…

  • Assignment 3: Chiaroscuro: Caravaggio’s David and Goliath

    September 24, 2015

    As I said, I spent a day in the Prado this summer, and felt that I had to use the experience to start thinking about the topic of Chiaroscuro. There is something, to my…

  • Practice: Photopolymer printing

    September 24, 2015

    This is a highly sustainable practice which uses no dangerous chemicals, and leaves the printing plates reusable. In Capileira, we used copper plates, which had to be cleaned- wet/dry sandpapered to remove any scratches-…

  • Assignment 3: Chiaroscuro: Beginning

    September 23, 2015

    I haven’t completed Assignment 2 yet, although my landscape morphed into abstraction.  I will revisit. Why chiaroscuro? Because printing is all about getting blacks black and whites white. And the interesting thing is how…

Previous Page Next Page
  • Tutor report Assignment 1

    November 8, 2015

    Christine Bruce Printmaking 2 Assignment 1 Skype v2

  • Assignment 2 Final : The History of the Inevitable Warfare between Science and Theology

    October 30, 2015

    Non- rational abstraction: trusting to intuition could give rise to several processes and outcomes. You could let the materials work, and be the amanuensis. You could maybe succeed in not having to think in…

  • Assignment 2: Abstraction: towards the final pieces: Moons

    September 28, 2015

    Moon. Topical, symbolic, geometric, poetic, totemic. My plan for my final piece is to create three images relating to the Moon. At the time of posting it is Mid Autumn, or moon festival, and…

  • Assignment 3: Chiaroscuro: hand

    September 25, 2015

    For this next project, I wanted to try to create an image of a hand- also inspired by the 19th century photo. I drew my own one, and planned a series of steps: Stop…

  • Assignment 3: Chiaroscuro: Newton’s apple series 2: copper plate etching

    September 25, 2015

    The monoprints and drypoint were ok, but it was time to use my new materials, and plan an image using multiple techniques of engraving. I sketched my ideas, and wrote a list to follow,…

  • Assignment 3: Chiaroscuro: Newton’s apple series 1

    September 25, 2015

    At one stride comes the dark.  Well, this topic is all about avoiding that happening, about graduating tones to make the dark creep in, allow light to create form by moulding itself to the…

  • Assignment 3: Chiaroscuro: Caravaggio’s David and Goliath

    September 24, 2015

    As I said, I spent a day in the Prado this summer, and felt that I had to use the experience to start thinking about the topic of Chiaroscuro. There is something, to my…

  • Practice: Photopolymer printing

    September 24, 2015

    This is a highly sustainable practice which uses no dangerous chemicals, and leaves the printing plates reusable. In Capileira, we used copper plates, which had to be cleaned- wet/dry sandpapered to remove any scratches-…

  • Assignment 3: Chiaroscuro: Beginning

    September 23, 2015

    I haven’t completed Assignment 2 yet, although my landscape morphed into abstraction.  I will revisit. Why chiaroscuro? Because printing is all about getting blacks black and whites white. And the interesting thing is how…

Previous Page Next Page
  • May 2018
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • November 2015
  • October 2015
  • September 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015

Share this:

  • Share on X (Opens in new window) X
  • Share on Facebook (Opens in new window) Facebook
  • Email a link to a friend (Opens in new window) Email
  • Share on WhatsApp (Opens in new window) WhatsApp
Like Loading...
  • Facebook
  • Twitter
  • Instagram
Create a website or blog at WordPress.com
  • Subscribe Subscribed
    • Christine Bruce
    • Already have a WordPress.com account? Log in now.
    • Christine Bruce
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d